To do this, the two resurrect murdered young women, resulting in a fiery romance between the two, police attention, and a radical social movement.
It sounds like Christian Bale and Jessie Buckley’s versions of these classic monsters will be a little bit more of a modern tale than Mary Shelley’s novel, which takes place in the 18th century.
Also, The Bride’s logline does refer to Bale’s character as “Frankenstein,” but it seems like it means Frankenstein’s monster (a common mistake people make when referring to the character, though perhaps the film is some sort of combination of the two?).
